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myampgoesto11:

Photos from the series Shifting by Michel Varisco

Shifting is a photography series that documents the wetlands and human altercations to the lands and waters.

Michel Varisco is a native New Orleans artist. Her photographs, assemblages and site-specific installations explore loss and regeneration. She received her MFA from Tulane University and studied in France (LaCoste School of Art-Cleveland Art Institute) and Italy (U.G.A) and is an artist/mentor at NOCCA|Riverfront. Varisco’s work is exhibited and published internationally and is included in public, private and corporate collections in the U.S. and abroad.

Support for her work has included grants and commisions by the Louisiana Endowment for the Humanities, the SURDNA Foundation of New York, the Joan Mitchell Foundation of New York, Louisiana Cultural Economy Foundation, Louisiana Division for the Arts, Houma Regional Arts Council from the Department of Culture, Recreation and Tourism in cooperation with the Louisiana State Arts Council and the Louisiana Division of the Arts and the Office of Cultural Development.
wandrlust:

"Jonathan Demme is my favorite director by far. His films to me have these rough edges, that he so perfectly creates. Things are just slightly off in certain moments, but they are perfectly modulated and he has meant to put them there. This one doesn’t just hit me emotionally, in terms of latching onto the guy who just misses a break… because he’s essentially a loser, but a sweetheart. But it’s the first twenty minutes. All that’s going on is two guys talking in a fucking car — and that’s it! This to me is heaven. Then the film branches off with one of them and we watch his life unfold. It’s so fucking amazing the way the movie sets you up to accept whatever happens. It’s like you’ve just been sucker-punched. And it is so well written and so well performed. A lot of my first film, Hard Eight, is patterned after Melvin and Howard’s kind of structure — I just didn’t do it as well." 
— Paul Thomas Anderson on Melvin and Howard

wandrlust:

"Jonathan Demme is my favorite director by far. His films to me have these rough edges, that he so perfectly creates. Things are just slightly off in certain moments, but they are perfectly modulated and he has meant to put them there. This one doesn’t just hit me emotionally, in terms of latching onto the guy who just misses a break… because he’s essentially a loser, but a sweetheart. But it’s the first twenty minutes. All that’s going on is two guys talking in a fucking car — and that’s it! This to me is heaven. Then the film branches off with one of them and we watch his life unfold. It’s so fucking amazing the way the movie sets you up to accept whatever happens. It’s like you’ve just been sucker-punched. And it is so well written and so well performed. A lot of my first film, Hard Eight, is patterned after Melvin and Howard’s kind of structure — I just didn’t do it as well." 

Paul Thomas Anderson on Melvin and Howard